NOIR CITY 22 at the Grand Lake Theatre, Oakland, CA - Jan 24-Feb 2, 2025

JANUARY 24-FEBRUARY 2, 2025 

NOIR CITY 22

There will be a distinctly feminine slant to the proceedings at NOIR CITY 22 running January 24–February 2, 2025, at Oakland's Grand Lake Theatre. The lineup of classic films, featuring 24 movies over ten days and nights, shines a spotlight on women whose cinematic legacy is entwined with the rise of film noir.

Many of this year’s films star the six actresses profiled in Muller’s 2002 book Dark City Dames: The Wicked Women of Film Noir, which is being reissued in April 2025 in a newly revised and expanded edition. Jane Greer, Marie Windsor, Audrey Totter, Evelyn Keyes, Coleen Gray, and Ann Savage are the core cadre of women featured in this year’s program, which includes many of their signature films, including, respectively, Out of the Past (1947), The Narrow Margin (1952), Tension (1949), The Prowler (1951), The Killing (1956), and Detour (1945).

“The contributions of these actresses is a major reason noir has retained its allure through many subsequent generations, more than seventy-five years after they were made.”
—Eddie Muller

In addition to those acclaimed favorites, the program also highlights films starring nine other actresses notable for their performances in crime films of the era: Joan Bennett, Peggie Castle, Rhonda Fleming, Marsha Hunt, Ella Raines, Ruth Roman, Jan Sterling, Claire Trevor, and Helen Walker. (Not coincidentally, the expanded edition of Muller’s book includes new profiles of these women.)

“One thing I’ve learned after doing programs for twenty-five years,” Eddie Muller says, “is that you need to circle back and re-show the classics, the bedrock of the genre. Some of these films are well-known to the hardcore—but for younger fans, who may have been in grade school when I started doing festivals, this will be the first time they’ve seen many of these movies … and certainly the first time on a big screen with an enthusiastic audience.”

Muller notes that extra effort was made this year to secure as many 35mm prints as possible. “It’s harder than ever to show film prints, so it feels sort of valedictory.” Fourteen of the festival’s 24 offerings are film prints, he noted. “It's remarkable to realize that when I began these festivals, everything was on film. No digital versions existed. Now, this might be the first—and last—time younger viewers will see a 35mm film print.”

“I’m very enthused about this year’s program,” Muller concludes, “because I had friendships with many of the women we’re celebrating and I’ll have plenty of stories to share—as well as being able to see these women again in all their glamorous glory.”

TICKET INFO

➤ Purchase advance tickets through Eventbrite with any of the ticket links in the program pages linked above. Doors open at 6:00 pm for evening shows; noon for matinées.

Save the date - NOIR CITY 22 - Jan 24-Feb 2

NOIR CITY 22 Passports

Secure your spot at NOIR CITY 22 with an all-access PASSPORT for $200. This all‑access festival pass grants the bearer:

Entry to all films during the 10-day NOIR CITY 22 film festival

Separate passport holders' queue for early admittance to the theater for all shows

$40 savings over individually purchased double-feature tickets.

THE PERFECT HOLIDAY GIFT

Proceeds from the NOIR CITY festival help fund the FNF's restoration and preservation efforts year-round. Remember — the NOIR CITY Passport makes a perfect holiday gift for the film lover in your family, too!

NOTE  NOIR CITY Passports are non-transferable. All sales are final. Patrons MUST arrive 30 minutes before show time to be guaranteed a seat!

2025 NOIR CITY ACCOMMODATIONS

Courtyard by Marriott Oakland Downtown

Courtyard by Marriott Oakland Downtown

If you're an out-of-towner looking for lodging in Oakland, the Courtyard by Marriott Oakland Downtown is offering discounted room rates for NOIR CITY 22 festival guests. For the dates Thursday, January 23, through Sunday, February 2, you can get a room with a King bed or two Queen beds for $149/night plus tax. Located at 988 Broadway in downtown Oakland, the hotel is 2 miles from the Grand Lake Theatre.

To take advantage of this special $149/night room, your booking must be made on or before Friday, December 20, 2024.

NOTE  For a stay of seven or more days, the Courtyard is offering a rate of $139/night + tax. For a long-term stay, please contact the hotel at 510-625-8282 and mention the NOIR CITY 22 special festival rate.

RESERVE YOUR ROOM

 DIRECTIONS TO THE GRAND LAKE THEATRE

All you need to know about the NOIR CITY Film Festival ↓

NOIR CITY film festival

Turner Classic Movies

Capo's

Stark House Press

Alameda Point Antiques Faire

FLAG Marketing

The Alfred Hitchcock Tarot

Kino Lorber

Giovanni Italian Specialties

Flicker Alley

TCM Noir Alley

Relic Vintage

Art Deco Society of California

Nick Rossi jazz guitar

The Film Noir Tarot

Fantagraphics

Hollywood and the Movies of the Fifties by Foster Hirsch

Fox & Doll

The Criterion Channel

Toscano Brothers

Chester Cordite London

Paul's Hat Works

The People's Detective

Amoeba Music

Ikaros Greek Restaurant

Running Press - Noir Bar by Eddie Muller

Forbidden Island

Lang Antique and Estate Jewelry

Dago Bagel

My First Film Noir - Cinephile

Imprint Films - Via Vision Entertainment

Crimson Kimono - Dan Nishimura

The Golden Age of Hollywood Tarot

Walden Pond Books

Tony's Pizza Napoletana

Twitter - MySpace - Facebook

Surround yourself in a miasma of social media darkness: join us on Facebook, Tumblr and Twitter for a complete immersion in the world of film noir through film stills, posters, film clips, brilliant insights, and more. Maybe you'll meet a dangerous stranger along the way.

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CONFIRMED 2025 NOIR CITY DATES

NOIR CITY 22: Jan 24-Feb 2

Grand Lake Theatre, Oakland, CA

NOIR CITY: Seattle: Feb 14-20

Theater TBD, Seattle, WA

NOIR CITY: Portland: Jul 11-13

Hollywood Theatre, Portland, OR

NOIR CITY: Chicago: Sep 5-11

Music Box Theatre, Chicago, IL

NOIR CITY: Philadelphia: Nov 14-16

The Colonial Theatre, Phoenixville, PA

Los Tallos Amargos (1956)

FNF RESTORATIONS

The Film Noir Foundation is a non-profit public benefit corporation created by Eddie Muller in 2005 as an educational resource regarding the cultural, historical, and artistic significance of film noir as an international cinematic movement. It is the foundation’s mission to find and preserve films in danger of being lost or irreparably damaged, and to ensure that high-quality prints of these classic films remain in circulation for theatrical exhibition to future generations. Once these films are unearthed, restored, and returned to circulation, the chances increase that the films will be made available on Blu‑ray and/or via online streaming for future generations of film lovers to appreciate.

To date, the Film Noir Foundation has fully funded the restorations of The Prowler (1951), Cry Danger (1951), Try and Get Me! (1951), Too Late for Tears (1949), Woman on the Run (1950), The Guilty (1947), Los tallos amargos (1956, Argentina), The Man Who Cheated Himself (1950), Trapped (1949), La bestia debe morir (1952, Argentina), El vampiro negro (1953, Argentina), The Argyle Secrets (1948), and No abras nunca esa puerta (1952, Argentina).

The Foundation has initiated and partially underwritten the restoration of Repeat Performance (1947) and High Tide (1947), and financed 35mm preservations of Nobody Lives Forever (1946), Three Strangers (1946), High Wall (1947), The Hunted (1948), The Window (1949), Southside 1-1000 (1950), Roadblock (1951), Down Three Dark Streets (1954), Loophole (1954), The Underworld Story (1950), and Cry Tough (1959), plus the Argentine films Apenas un delincuente (1949), No abras nunca esa puerta (1952), and Si muero antes de despertar (1952).

The Film Noir Foundation is currently evaluating film elements and rights issues for its next restoration.

NOIR CITY Annual #16

NOIR CITY Annual #16

2024's NOIR CITY Annual 16, the best of the best from the Film Noir Foundation's 2023 NOIR CITY Magazines, is here—essays, profiles, interviews, and appreciations of classic and modern noir films from today's top writers. This year's contributors are Imogen Sara Smith, Jake Hinkson, Danilo Castro, Vince Keenan, Steve Kronenberg, John Wranovics, Rachel Walther, Jeremy Arnold, Peter Tonguette, Wallace Stroby, Andy Wolverton, Thomas Burchfield, Adam Nayman, Ben Terrall, and Eddie Muller. Book layout and design by Michael Kronenberg. And, as with any purchase from the FNF, when you buy the NOIR CITY Annual 16, you'll be helping fund the non-profit foundation's film restoration efforts. Available now on Amazon

NOIR CITY Magazine

NOIR CITY Magazine - Digital Version

For access to the best writing on noir available today, and to enjoy one of the most cutting-edge interactive multimedia cinema publications in the world, subscribe to NOIR CITY Magazine. Start by:

FNF Video Archives: Angie Dickinson - Norman Lloyd - Nancy Olson

FNF VIDEO ARCHIVES

Our Video Archives feature an expanding catalog of noir-related video, including exclusive interviews and festival guest appearances.

FEATURED VIDEO 

Kirk EllisFestival producer Alan K. Rode and writer/producer Kirk Ellis discuss director Budd Boetticher (July 1916 – November 2001) prior to a screening of the director’s 1945 film Escape in the Fog on May 12, 2024, at the Arthur Lyons Film Noir Festival in Palm Springs. WATCH

Ask Eddie - Eddie Muller and Anne Hockens

ASK EDDIE

Did you know that the Film Noir Foundation livestreams regularly on our Facebook page in which Eddie Muller answers questions submitted by our e­mail subscribers? All past broadcasts are available on YouTube.

 

NOIR CITY Screenings

→ View our list of films screened at NOIR CITY 1-21 here.

Film Noir Foundation

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NOIR CITY posters: Bill Selby