NOIR CITY XMAS at the Grand Lake Theatre, Oakland, CA on Wednesday, December 17, 202

NOIR CITY 23

The joint will be jumping when the venerable NOIR CITY film festival kicks out the jams at the Grand Lake Theatre, January 16–25, 2026, with an exciting 10-day program of crime and mystery films featuring . . . musicians! From early examples of Hollywood noir like Blues in the Night (1941) to jazz-fueled sixties’ gems like All Night Long (1962) and A Man Called Adam (1966), the movies feature genuine musical legends performing alongside film noir favorites including Humphrey Bogart, Lauren Bacall, John Garfield, Ida Lupino, Kirk Douglas, Ann Sheridan, and Robert Mitchum.

Among the real-life musicians appearing onscreen at NOIR CITY 23: Elvis Presley, Doris Day, Louis Armstrong, Keely Smith, Dexter Gordon, Ella Fitzgerald, Hoagy Carmichael, Sammy Davis, Jr., Peggy Lee, Oscar Levant, Dave Brubeck, Charlie Mingus, and many more.

“Back in the 1940s, nightclubs and jazz played a significant role in creating the noir vibe,” explains festival founder and host Eddie Muller. “So, it was fun to craft a program in which music plays a role in every story, either through the setting or because the characters are musicians.” As he usually does, Muller balances the roster between established classics (To Have and Have Not (1944), Gilda (1946), Sweet Smell of Success (1957), and seldom-screened titles like The Strip (1951), The Crimson Canary (1945), and Face the Music (aka The Black Glove), a 1954 British rarity that provided the “kicker” for this year’s festival.

Muller acknowledges that some of this year’s offerings veer outside the proscribed boundaries of noir, but he offers no apologies: “Jazz is America’s greatest contribution to the twentieth century,” he declares, “and mixing it up with film noir is a perfect way to showcase the music for a younger generation. The stories may be dark and depressing, but the music always soars.”

Many of the films on the schedule are fictions in which music plays a major part; others are based on actual performers, like the 1955 Doris Day vehicle Love Me or Leave Me in which Day gives a scintillating performance as 1920s singing and dancing sensation Ruth Etting. Kirk Douglas’ Young Man with a Horn from 1950 (also starring Day) is based on the life of cornetist Bix Beiderbecke (with Harry James providing the actual horn work). Similarly, Sammy Davis, Jr. and Dexter Gordon give memorable portrayals in, respectively, A Man Called Adam and Round Midnight (1986), playing composites of real-life jazz artists. “Jazz may dominate the program,” Muller notes, “but we’ve also got samplings of classical (1946’s Humoresque), country (1958’s Thunder Road), and rock ‘n’ roll (1958’s King Creole) — I finally hit on a theme that accommodates my favorite Elvis movie.”

TICKET INFO

➤ Purchase advance tickets through Eventbrite with any of the ticket links in the program pages linked above. Doors open at 6:00 pm for evening shows; noon for matinées.

NOIR CITY 23 Passport

NOIR CITY 23 PASSPORT

FACE THE MUSIC! Join Film Noir Foundation founder and TCM host Eddie Muller at NOIR CITY 23 for a unique program revolving around musicians! The darker side of the musical life is explored in films that range from star-studded classics to lesser-known B films. In addition to great tales of mystery and suspense, the films feature exceptional soundtracks providing a fabulous sampling of mid-twentieth-century classical, pop, and jazz scores.

OUR ORIGINAL PASSPORTS ARE SOLD OUT — BUT WE'VE GOT YOU COVERED!

You can still secure your spot for the festival, EXCLUDING OPENING NIGHT, with our limited edition "Sellout" Passport. For $200 (plus service fee), this special pass grants the bearer entry to all films for nine days, beginning Saturday, January 17 — that's 13 double features at a savings of $20 over individually purchased tickets. Plus you'll have access to a separate passport holders' queue for early admittance to the theater for all shows.

 PURCHASE PASSPORT

You can buy the Sellout Passport right now, and it will be available for pick up at the Will Call table at the Grand Lake Theater starting 90 minutes before showtime Saturday morning.

NOTE Please note that all patrons, including Passport holders, must arrive at least 30 minutes before the listed showtime to be guaranteed a seat. NOIR CITY Passports are non-transferable. All sales are final.

Proceeds from the NOIR CITY festival help fund the Film Noir Foundation's restoration and preservation efforts year-round.

NOIR CITY ACCOMMODATIONS

Oakland Marriott City Center

Marriott Oakland City Center

If you're an out-of-towner looking for lodging in Oakland, the Film Noir Foundation recommends the Oakland Marriott City Center for NOIR CITY 23 festival guests. Located at 1001 Broadway in downtown Oakland, the hotel is 2.1 miles from the Grand Lake Theatre.

For additional information, you may contact the hotel at 510/451-4000.

 DIRECTIONS TO THE GRAND LAKE THEATRE

All you need to know about the NOIR CITY Film Festival ↓

NOIR CITY film festival

Turner Classic Movies

Stark House Press

Fundali Galleries

Capo's

Alameda Point Antiques Faire

ArtDeco Colleciton.com

FLAG Marketing

Running Press - Noir Bar by Eddie Muller

Forbidden Island

TCM Noir Alley

Relic Vintage

Nick Rossi jazz guitar

The Film Noir Tarot

Fantagraphics

Giovanni Italian Specialties

Fox & Doll

The Alfred Hitchcock Tarot

The Criterion Channel

The People's Detective

Toscano Brothers

Hitchcock and Hermann - Oxford University Press

Amoeba Music

Piedmont Piano Company

Ikaros Greek Restaurant

Mr. Tipples

Tiki Oasis

Lang Antique and Estate Jewelry

Dago Bagel

Dark City Dames

Crimson Kimono - Dan Nishimura

The Golden Age of Hollywood Tarot

Tony's Pizza Napoletana

Walden Pond Books

Join us on Facebook, BlueSky, Tumblr, Instagram, and X/Twitter for a complete immersion in the world of film noir through film stills, posters, film clips, brilliant insights, and more. Maybe you'll meet a dangerous stranger along the way.

NOIR CITY 23 PERFORMANCES

Friday, January 16
6:00 PM - Nick Rossi Trio
7:20 PM - Elizabeth Bougerol, Ms. NOIR CITY 23

Saturday Matinee, January 17
12:15 PM - Adam Shulman, piano

Saturday Evening, January 17
6:00 PM - Nick Rossi Trio
7:00 PM - Elizabeth Bougerol

Sunday Matinee, January 18
12:00 PM - Nick Rossi Trio
3:45 PM - Elizabeth Bougerol

Tuesday, January 20
6:15 PM - Graham Messer, piano

Wednesday, January 21
6:00 PM - Adam Shulman, piano
7:00 PM - Gregg & Katie, tap dancers

Thursday, January 22
6:00 PM - Smith Dobson with the Nick Rossi Trio

Friday, January 23
6:00 PM - Kamrin Ortiz with the Nick Rossi Trio

Saturday Matinee, January 24
12:30 PM - Adam Shulman, piano

Saturday Evening, January 24
6:00 PM - Nick Rossi Trio
7:00 & 9:20 PM - Laura Ellis, NC Nightingale

Sunday Matinee, January 25
12:00 PM - Nick Rossi and his Swing Four

• Will Lewis plays the Grand Lake Theatre's Mighty Wurlitzer pipe organ before showtimes throughout the festival

Scheduled performances subject to change

CONFIRMED 2026 NOIR CITY DATES

NOIR CITY 23: Jan 16-25

Grand Lake Theatre, Oakland, CA

NOIR CITY: Seattle: Feb 13-19

SIFF Cinema Downtown, Seattle, WA

NOIR CITY: Hollywood: Apr 3-5 & 10-12

Egyptian Theatre, Hollywood, CA

NOIR CITY: Portland: Aug 21-23

Hollywood Theatre, Portland, OR

Los Tallos Amargos (1956)

FNF RESTORATIONS

The Film Noir Foundation is a non-profit public benefit corporation created by Eddie Muller in 2005 as an educational resource regarding the cultural, historical, and artistic significance of film noir as an international cinematic movement. It is the foundation’s mission to find and preserve films in danger of being lost or irreparably damaged, and to ensure that high-quality prints of these classic films remain in circulation for theatrical exhibition to future generations. Once these films are unearthed, restored, and returned to circulation, the chances increase that the films will be made available on Blu‑ray and/or via online streaming for future generations of film lovers to appreciate.

To date, the Film Noir Foundation has fully funded the restorations of The Prowler (1951), Cry Danger (1951), Try and Get Me! (1951), Too Late for Tears (1949), Woman on the Run (1950), The Guilty (1947), Los tallos amargos (1956, Argentina), The Man Who Cheated Himself (1950), Trapped (1949), La bestia debe morir (1952, Argentina), El vampiro negro (1953, Argentina), The Argyle Secrets (1948), and No abras nunca esa puerta (1952, Argentina).

The Foundation has initiated and partially underwritten the restoration of Repeat Performance (1947) and High Tide (1947), and financed 35mm preservations of Nobody Lives Forever (1946), Three Strangers (1946), High Wall (1947), The Hunted (1948), The Window (1949), Southside 1-1000 (1950), Roadblock (1951), Down Three Dark Streets (1954), Loophole (1954), The Underworld Story (1950), and Cry Tough (1959), plus the Argentine films Apenas un delincuente (1949), No abras nunca esa puerta (1952), and Si muero antes de despertar (1952).

Exciting news! The Film Noir Foundation has undertaken its next restoration project as of late November. An American film is currently in the process of being restored with the anticipated premiere date of Spring 2026.

NOIR CITY Annual #17

NOIR CITY Annual #17

2025's NOIR CITY Annual 17, the best of the best from the Film Noir Foundation's 2024 NOIR CITY Magazines, is here—essays, profiles, and appreciations of classic and modern noir films from today's top writers. This year's contributors are Imogen Sara Smith, Sloan De Forest, Danilo Castro, Steve Kronenberg, Rachel Walther, Brian Raftery, Stefen Styrsky, Drew A. Smith, Andy Wolverton, Mary Mallory, Jason A. Ney, Peter Campion, Travis Woods, Matthew Gentile, Kenny Reid, M.T. Schwartzman, Ben Terrall, and Eddie Muller. Book layout and design by Michael Kronenberg. And, as with any purchase from the FNF, when you buy the NOIR CITY Annual 17, you'll be helping fund the non-profit foundation's film restoration efforts.

Available for sale at NOIR CITY 23, Grand Lake Theatre/Oakland

Available for sale March 2026 on Amazon!

NOIR CITY Magazine

NOIR CITY Magazine - Digital Version

For access to the best writing on noir available today, and to enjoy one of the most cutting-edge interactive multimedia cinema publications in the world, subscribe to NOIR CITY Magazine. Start by:

FNF Video Archives: Angie Dickinson - Norman Lloyd - Nancy Olson

FNF VIDEO ARCHIVES

Our Video Archives feature an expanding catalog of noir-related video, including exclusive interviews and festival guest appearances.

FEATURED VIDEO 

John Dahl and Peter Berg on The Last SeductionAlan K. Rode interviews Rory Flynn about her father, Errol Flynn (1909-1959), before the screening of the 1947 Errol Flynn/Barbara Stanwick film Cry Wolf (1947) at the Arthur Lyons Film Noir Festival in Palm Springs. Topics include: Palm Springs in the 1950s, The Baron of Mulholland, Nora Eddington (Rory’s mother), Errol Flynn as a yachtsman and adventurer, Tazmania, Captain Blood, Michael Curtiz, Flynn parties. WATCH

Ask Eddie - Eddie Muller and Anne Hockens

ASK EDDIE

Did you know that the Film Noir Foundation livestreams regularly on our Facebook page in which Eddie Muller answers questions submitted by our e­mail subscribers? All past broadcasts are available on YouTube.

 

NOIR CITY Screenings

→ View our list of films screened at NOIR CITY 1-22 here.

Film Noir Foundation

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NOIR CITY posters: Bill Selby